Sharon Shinn has been all about confusing her readers since her career started. Is she chicken, or is she fish? Taken as a whole, her career makes perfect sense. She writes fairly standard romances with strong science fiction elements and extremely real human interaction. Shinn understands power dynamics in a way that sets her apart. She breaks your heart by loading her implausible worlds with plausibility. In that sense, The Shape of Desire is anything but a departure. Taken on it's own, I can see why it confused readers in it's hardcover release.
The Shape of Desire is a rumination on human relationships. What we are willing to trade away to have specific people in our lives and what we are not. In the case of Maria, she has given up stability. Her lover claims to be a shape shifter. Maria has never seen Dante change out of his human form. She has never seen anyone change from a human form. What Maria knows is that when she is with Dante she is blissfully happy and when she is not she falls apart. Much of the book focuses on her relationships with other people. Although forced to keep Dante a secret, Maria is close to her family. Her coworkers are involved in each other's lives, including that of a woman in an abusive relationship. While trying to befriend her Maria is forced to consider harder questions about both their lives. When is concern misplaced? What does an outsider know of the risks and rewards inside a relationship?
Shinn is successful in creating a memorable tale with important questions at it's heart. She's less successful in making me care about Dante and Maria. I never connected with Dante, despite the evolution of his character. I sometimes grew impatient with Maria. I was more interested in some of the coworkers and I was frankly disappointed to have all of Maria's questions so neatly answered. The book would be more powerful as an open ended single title than as a start of a new series. That said, there is an unanswered question at the end of the book that neatly underlines the theme of the whole. What will we allow ourselves to believe or accept to have the thing we love? Late in the book Maria, who hungers for a child, has the opportunity to raise one. Does she have a right to this child? Has this child been stolen? For the reader, as for Maria, the question hangs as something that cannot be examined too closely. Maria has what she longed for. Is that enough?
Showing posts with label Ace Hardcover. Show all posts
Showing posts with label Ace Hardcover. Show all posts
01 February, 2013
27 May, 2012
Review: Deadlocked by Charlaine Harris
Harris is not a gifted writer. Her skill lies in her plotting and her ability to keep you interested in the next twist her road will take. Unfortunately Sookie spends large portions of Deadlocked driving in circles.This isn't to say you should skip Deadlocked, but there are some larger-than-Harris flaws in this one. Can we open with the big one?
Harris has always had a somewhat complicated racial world view - in fact this blogger has already summed that up nicely. Harris goes for broke in Deadlock. Alongside her usual quiet bigotry she highlights the character of Palomino - a vampire with "caramel" skin and "cornsilk" hair. Later in the book she has a character toss out the phrase jungle-bunny in an attempt to emotionally affect KeShawn Johnson. He (of course) is above such things. In a world where a black woman of superhuman strength and experience would permit herself to be named after a pony, I suppose we can allow for KeShawn's tolerance.
Deadlocked sums up some of the troubling aspects of the series. While Sookie doesn't dump vampires for their abusive ways, she does begin to examine her choices. Unfortunately Deadlocked is a character dump. The time spent with vampires isn't the engaging run through their soap opera ways that we're used to. Vampires come and go through Deadlocked without really capturing your attention. High stakes vampire drama seems like an afterthought to the real focus. Fairies. Ok, not really, but the addition of her fairy heritage is where (in my opinion) Sookie's story went to pieces. Deadlocked is full up to here with fairy. (I think we're fairly clear of them for the final book as Deadlocked seems to set the stage for their removal.) But vampires and fairies and werewolves, oh my. Everyone and everything makes an appearance in Deadlocked. If a character isn't included, they're contemplated. Relationships we don't care at all about are lingered over and remarked on. People take her to brunch. Sookie cooks half a dozen times for half a dozen occasions. She describes everything about her days in mind-numbing detail. She wonders what a flash drive is and understands a Reader's Digest reference. By the end of Deadlocked Sookie has closed the door on most of her past. She's walked away from most of the distractions the first eleven books brought her to refocus on the things that mattered to her in the first one. I think it may be a misdirection. My money for book 13 finds Sookie dead and sleeping with the angels, all of whom will undoubtedly be hard bodied sex machines who can't resist her small town ways.
Harris has always had a somewhat complicated racial world view - in fact this blogger has already summed that up nicely. Harris goes for broke in Deadlock. Alongside her usual quiet bigotry she highlights the character of Palomino - a vampire with "caramel" skin and "cornsilk" hair. Later in the book she has a character toss out the phrase jungle-bunny in an attempt to emotionally affect KeShawn Johnson. He (of course) is above such things. In a world where a black woman of superhuman strength and experience would permit herself to be named after a pony, I suppose we can allow for KeShawn's tolerance.
Deadlocked sums up some of the troubling aspects of the series. While Sookie doesn't dump vampires for their abusive ways, she does begin to examine her choices. Unfortunately Deadlocked is a character dump. The time spent with vampires isn't the engaging run through their soap opera ways that we're used to. Vampires come and go through Deadlocked without really capturing your attention. High stakes vampire drama seems like an afterthought to the real focus. Fairies. Ok, not really, but the addition of her fairy heritage is where (in my opinion) Sookie's story went to pieces. Deadlocked is full up to here with fairy. (I think we're fairly clear of them for the final book as Deadlocked seems to set the stage for their removal.) But vampires and fairies and werewolves, oh my. Everyone and everything makes an appearance in Deadlocked. If a character isn't included, they're contemplated. Relationships we don't care at all about are lingered over and remarked on. People take her to brunch. Sookie cooks half a dozen times for half a dozen occasions. She describes everything about her days in mind-numbing detail. She wonders what a flash drive is and understands a Reader's Digest reference. By the end of Deadlocked Sookie has closed the door on most of her past. She's walked away from most of the distractions the first eleven books brought her to refocus on the things that mattered to her in the first one. I think it may be a misdirection. My money for book 13 finds Sookie dead and sleeping with the angels, all of whom will undoubtedly be hard bodied sex machines who can't resist her small town ways.
15 May, 2011
Review: Dead Reckoning by Charlaine Harris
Charlaine Harris is getting slammed for continuity errors in this one. I say if you haven't learned to give up on Harris and continuity by the time you've reached Dead Reckoning, then Sookie Stackhouse isn't for you. It's a shame, because this is one series where lowering your expectations is absolutely worth it.
I mean it. Hand me another Sookie right now and I will read it. Got five more? That works too. The Sookie Stackhouse series is addictive in the negative sense of the word. I will consume as many Sookie books as I have, ignoring all others and real world concerns like bathing. If I can get more Sookie books I will abdicate my responsibilities and go in search of them. (That said, the short stories are abysmal. Each one is painful, the bad trip of fiction indulgence.) Perhaps Harris is the victim of the HBO series success, perhaps readers are just noticing. (Either way, she is to continuity as television's Dr. Who is to continuity. Timey-wimey and all that.)
I don't think the books and the show can have the same fans. Perhaps they do, but for me they are two completely different universes based around a similar concept. Anna Pacquin is not my Sookie. My Sookie is Harris's creation, the ball of hair I love to hate. Other reviewers are right in pointing out Dead Reckoning's Sookie is a different girl. She's a Sookie who is starting to grow up. When we meet Sookie she's bullied, asexual, clinging to the edges of her life in fear. This Sookie is assured, she's a problem solver, she's beginning to expect more from herself than we do, and Dead Reckoning finds her in a full reexamination of her life. When Sookie runs to a man to save her, she notices. This is huge for Sookie. Instead of hiding behind every back she can find, she throws her friends out when they transgress. This isn't the Sookie that, as I once said, gets passed around at vampire events like a party favor.
If you happen to be Team Eric you won't care for Dead Reckoning much. Sookie begins to realize the effects of a controlling relationship. She decides to look outside it to try and determine her true feelings, her true inclinations. In a beautifully executed moment Sookie realizes how distant she's become from what her life used to be. A Sookie even noticing that is a major change for our girl. Standing between what her life became and what it used to be Sookie has some hard choices to make. Those choices are left for the next book. (If you're looking to Harris for resolution, you're going to live a life of frustration. I could do without a certain character cameo as well - stop suggesting that series to me via their appearance in Sookie's world, please.) Harris also introduces a major out for herself that I won't spoil. Suffice to say she's given herself a game changer.
Reading a Sookie Stackhouse book is like settling into a rollercoaster ride. It won't be smooth, it won't always go where you want, there will be terror. When it's over and your stomach has settled you realize that you really loved it and want to go again right now. And maybe again. When does the park close?
I mean it. Hand me another Sookie right now and I will read it. Got five more? That works too. The Sookie Stackhouse series is addictive in the negative sense of the word. I will consume as many Sookie books as I have, ignoring all others and real world concerns like bathing. If I can get more Sookie books I will abdicate my responsibilities and go in search of them. (That said, the short stories are abysmal. Each one is painful, the bad trip of fiction indulgence.) Perhaps Harris is the victim of the HBO series success, perhaps readers are just noticing. (Either way, she is to continuity as television's Dr. Who is to continuity. Timey-wimey and all that.)
I don't think the books and the show can have the same fans. Perhaps they do, but for me they are two completely different universes based around a similar concept. Anna Pacquin is not my Sookie. My Sookie is Harris's creation, the ball of hair I love to hate. Other reviewers are right in pointing out Dead Reckoning's Sookie is a different girl. She's a Sookie who is starting to grow up. When we meet Sookie she's bullied, asexual, clinging to the edges of her life in fear. This Sookie is assured, she's a problem solver, she's beginning to expect more from herself than we do, and Dead Reckoning finds her in a full reexamination of her life. When Sookie runs to a man to save her, she notices. This is huge for Sookie. Instead of hiding behind every back she can find, she throws her friends out when they transgress. This isn't the Sookie that, as I once said, gets passed around at vampire events like a party favor.
If you happen to be Team Eric you won't care for Dead Reckoning much. Sookie begins to realize the effects of a controlling relationship. She decides to look outside it to try and determine her true feelings, her true inclinations. In a beautifully executed moment Sookie realizes how distant she's become from what her life used to be. A Sookie even noticing that is a major change for our girl. Standing between what her life became and what it used to be Sookie has some hard choices to make. Those choices are left for the next book. (If you're looking to Harris for resolution, you're going to live a life of frustration. I could do without a certain character cameo as well - stop suggesting that series to me via their appearance in Sookie's world, please.) Harris also introduces a major out for herself that I won't spoil. Suffice to say she's given herself a game changer.
Reading a Sookie Stackhouse book is like settling into a rollercoaster ride. It won't be smooth, it won't always go where you want, there will be terror. When it's over and your stomach has settled you realize that you really loved it and want to go again right now. And maybe again. When does the park close?
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