Review: That Scandalous Summer by Meredith Duran

*Someone at Pocket really likes the Angelina Jolie look.

I started this review and then I totally forgot what the book was about. True story.

Duran is not getting enough credit for working outside the Regency period. Sure, Victorian England is the new Regency, but still. She's also diversifying her heroines, replacing the typical virginal heiress with a borderline alcoholic. Our meet cute here finds the heroine passed out drunk in the street and our hero winding his way home from another hard day at the office. Call it the party girl meets the medic. There was something Courtney Milan in the set up, but aspects of the story I expected to find more fully developed slipped away into a conventional resolution.

Liza is down a lover, down a fortune and racing the clock to find herself a new man. With a strong sense of responsibility to her dependents, Liza is the standard Regency hero in a skirt. She's sewn her oats and she's ready to re-don the ball and chain. Duran flirts with the way Liza numbs herself through drink yet she never fully commits to the concept. Liza drinks enough to wake up in strange shrubbery unattended. It's a bit unexpected to find she actually can stop whenever she wants. Happiness easily sobers her up. Overall she's a refreshing change from an uncomplicated heroine but her sadness seemed more assumed than truly heart-wrenching.

Michael has family problems. He's been care-taking his mentally unbalanced brother since the death of said brother's wife and he just can't take it anymore. His brother is destroying himself with grief and suspicion. Here, too, Duran pulls the punch. While the Duke gets a few wonderful lines about the completeness of his power, his resolution makes almost no sense. Liza has the key to breaking through his madness and she comes by it accidentally. She uses that key to blackmail him in a last minute plot twist that doesn't bear deep thought. It works because the story needs it to work and a veil is drawn over any issues. The relationship between Michael and his brother was fairly strong until the easy resolution. The Duke's decline was too total, his radical demands of Michael too intense for the resolution to satisfy. Michael himself becomes an afterthought for me. While he has a number of interesting qualities I wasn't compelled by him.

Overall That Scandalous Summer was a decent but to required read. I enjoyed it as quickly as I forgot it. With a few changes Duran would've had something epic here. I hope next time she dips into mental illness she commits more fully. For me the Duke's cure was akin to Balogh's Silent Melody and equally unsatisfying.

Review: Shadow Woman by Linda Howard

Howard and I had totally broken up. If Picasso had a blue period or Van Gogh a sunflower obsession, Howard has been exploring reconstructed women. Her heroines live under assumed identities, waking up in bodies that aren't theirs, reincarnated after the hero (!) kills them to begin their reinvention. I haven't begrudged her the theme. We broke up over the men. (Death Angel. Enough said.) Howard crossed from Alpha Bond style books to Alpha Hole abuse glorification. We couldn't be together. Enter Shadow Woman.

Let me set the scene. Me. The public library. An hour to kill with a dead e-reader. I decide to hate read Howard one more time, just for the memories. Like that I fell back in love. In Shadow Woman Howard takes the elements she hasn't been able to stop working with and frees them from the cycle of abuse. She still has a heroine with a vague memory she might have been someone else. She still has an Alpha hero who kills as easily as he breathes. The difference between Shadow Woman and her other recent books is so simple, so basic and yet so vital to my reading experience. It's respect. The hero respects the heroine. The author respects the heroine. The heroine is in a situation she chose to be in. She is forced to rely on her own instincts and intelligence to feel her way through a dangerous new reality. The heroine is not reformed or repentant, she is self accepting. This is about her reclamation of her identity as she comes to terms with past events. I kind of loved it.

Shadow Woman not a romance. It is a romantic suspense with the classic Howard elements. A cartoonish disregard for human life, covert groups, government conspiracies, the people who make paranoid people look naive. The hero and heroine don't truly meet until the last pages of the book. Their story is told by his distant concern for her and her struggle to remember him. This is a book about waking up crazy and slowly coming to understand that you are not insane but imprisoned. The heroine's struggle to define herself, to identify the core parts of her personality inside the shell, are the focus of Howard's tale. This is a book that reminds me why I started reading her in the first place. I'm going to pretend the last few years didn't happen and reinvest in Linda Howard. Shadow Woman proves that libraries still have a place in reader discoverability.

Review: The Other Side Of Us by Sarah Mayberry

*The Other Side of Us is a book with something interesting to say but character choices kept me from caring about it. On the plus side, it's a free read in the Kindle Store so you won't be out anything if you give Mayberry a shot.

This is a book by an Australian author. This became important because some key cultural differences set me up to question the entirety. Plus there are annoying pet scenes. Look, I'll just come out and say it. Their dogs bang before they do and with possibly more enthusiasm. Afterward Oliver acts like his dog has been roofied and sold into the sex trade. It's kind of weird. Whatever, dog subplot, you freaked me out. Oliver is probably overreacting because his wife cheated on him. Finding out his dog is stepping out too was just overload.

Mackenzie was in a life altering car crash but due to her past success as a television producer is not bankrupted by the experience. She has that easy, unthinking affluence of many a romance heroine. When we meet Mackenzie she worries that she's come across as a bitch to Oliver, despite what seemed to be completely reasonable reactions. Oliver likes to come over unannounced. Mackenzie apologizes for pages over her rude inability to drop everything in her life to focus on whatever whim the stranger next door has come up with. She tells him she needs to answer an important call, he keeps talking. I'd be rude to the guy too.

I couldn't get a handle on Mackenzie. At the beginning of the book she is all about doing her rehab. I know a thing or two about post surgical exhaustion. Her nausea, shaking, sudden extreme fatigue all felt real to me. Her obsession with her scars did not. Mackenzie explores her scars with the careful consideration of a fetishist. She's had them for a year - it's not like they're new. Mayberry wants you to know that Mackenzie is weakened by injury, covered in scars, and unable to conduct her normal life. Suddenly Mackenzie is cleaning out sheds, filling wheelbarrows with gravel and taking long walks in the sand. (If you've had your pelvis rebuilt long walks in the sand are very much not on your To Do list.) The first time she has sex she requires special positioning to avoid severe pain from her hip. The rest of the time she's just up for it however. When Mackenzie was vomiting after using her weights I understood why she couldn't return to her job in television production. When she's walking to the grocer and working a shovel I didn't. Mackenzie has a super hot ex who wants her back but never met her needs. I liked him much more than Oliver.

Oliver was almost as absurd as Mackenzie. The guy is a rock star turned studio man. He left his wife several months ago but isn't divorced. When he takes up with Mackenzie his brother has kittens. Long soulful talks about taking things slow and knowing your limits and not rushing in take place. Oliver is completely unlike every rock star I've met or currently know. I started to understand why his wife (who wants him back, of course) cheated on him. He puts the E in Emo. It's a shame I couldn't buy into the leads because Mayberry has a lot to say about reinventing yourself after failure or disappointment. Oliver and Mackenzie both look to the dreams of their youth to form a dream for their future. This apparently involves rejecting commercial success. So to wrap up, unlikeable and unlikely leads, issues of consent in the canine community, exs that want you back so bad, realistic conflicts and a lot of emo flouncing. I might try another Mayberry but this one didn't move me.

Review: Heaven With A Gun by Connie Brockway

*Somewhat disappointingly, this is not a tribute to the 1969 film.

The most I can come up with for Heaven With A Gun is that it was fine. Perfectly acceptable. That's sort of the review kiss of death, I know. This novella is neither compelling enough for me to remember the leads names nor offensive enough for me to have renamed them something like The D-Bag Duke. It's a western with a reporter and an outlaw. There. We're done. Wait, we're not? Ok, uhhhh...  I didn't love HWAG but I certainly liked it.

There's a pretty equal mix of charm and tedium in here. Saloon whores with hearts of gold. Hot headed youth. You know the deal.  The heroine's backstory isn't shown. It's strictly told. This is a shame because her history prior to the hero is the most engaging part of the book. I loved her meeting him, I loved her mind, I loved how she got her reputation. I tolerated her motivation and life choices. The hero starts strong too. I enjoyed his early mid life crisis, his cynicism and desire to shake the West off his shoes. Somehow putting them together diminished both of them. Our heroine falls for the hero because he's the hero and vice versa. Not in a bad way, just in a very conventional way that is perfectly... fine.

I suppose my hopes were high for this story. The Americana side of the genre hasn't knocked my socks off since Morsi. It's been a long dry spell for me and American historical. Plus, I love a good western. What's not to adore about European Colonialism using corrupt political motivations to clear indigenous populations? That is some prime drama there. Some of the early frontier towns were models of multiculturalism. (Much of what we learn in grade school is a heavily fictionalized account of how the West went white.)  Liking  HWAG fine just wasn't quite enough. I think Brockway could have made an interesting full length book out of the characters she created for the novella. The ending felt rushed, almost anticlimactic. Some of the early details begged for full length scenes.  If you're jonesing for a lightly comedic western you can do much, much worse than HWAG. I couldn't help wishing it had been just a bit better.

Review: The Shape of Desire by Sharon Shinn

Sharon Shinn has been all about confusing her readers since her career started. Is she chicken, or is she fish? Taken as a whole, her career makes perfect sense. She writes fairly standard romances with strong science fiction elements and extremely real human interaction. Shinn understands power dynamics in a way that sets her apart. She breaks your heart by loading her implausible worlds with plausibility. In that sense, The Shape of Desire is anything but a departure. Taken on it's own, I can see why it confused readers in it's hardcover release.

The Shape of Desire is a rumination on human relationships. What we are willing to trade away to have specific people in our lives and what we are not. In the case of Maria, she has given up stability. Her lover claims to be a shape shifter. Maria has never seen Dante change out of his human form. She has never seen anyone change from a human form. What Maria knows is that when she is with Dante she is blissfully happy and when she is not she falls apart. Much of the book focuses on her relationships with other people. Although forced to keep Dante a secret, Maria is close to her family. Her coworkers are involved in each other's lives, including that of a woman in an abusive relationship. While trying to befriend her Maria is forced to consider harder questions about both their lives. When is concern misplaced? What does an outsider know of the risks and rewards inside a relationship?

Shinn is successful in creating a memorable tale with important questions at it's heart. She's less successful in making me care about Dante and Maria. I never connected with Dante, despite the evolution of his character. I sometimes grew impatient with Maria. I was more interested in some of the coworkers and I was frankly disappointed to have all of Maria's questions so neatly answered. The book would be more powerful as an open ended single title than as a start of a new series. That said, there is an unanswered question at the end of the book that neatly underlines the theme of the whole. What will we allow ourselves to believe or accept to have the thing we love? Late in the book Maria, who hungers for a child, has the opportunity to raise one. Does she have a right to this child? Has this child been stolen? For the reader, as for Maria, the question hangs as something that cannot be examined too closely. Maria has what she longed for. Is that enough?

Review: Back to the Good Fortune Diner by Vicki Essex

Occasionally a book comes along that catches every reviewer's eye at once. Maybe it's the marketing, maybe it's the theme, sometimes it's random chance. In the case of Back to The Good Fortune Diner it's the promise of a non-caucasian lead in a traditionally caucasian line. Vicki Essex is an author in the right place at the right time. Essex is also a talented writer. Ultimately, I think she's better than her book. I'm going to give Diner it's small town beats dirty big city vibe because that's a fetish. It's not my fetish, but the topic of message coding in this theme is more than I care to get into with this review.

I'm also going to give Diner it's simultaneous embrace and rejection of education - no I'm not. It was very problematic for me. The racism in the book was another stumbling block. For much of the story we have an interesting tale of two culturally different people learning to communicate with each other as adults but then it takes a sharp turn. The book couldn't sustain the weight of the material. Ultimately, it feels very After School Special in it's quick presentation and smooth resolution. A secondary romance felt it should have been the focus of (or a sequel to) the book. Finally, the brother and sister duo at the heart of both relationships felt completely wrong for their age. Whew. Let's unpack some of that.

Age before anything - Daniel and Tiffany are highly educated professionals in their mid to late thirties. both are so deeply enmeshed in their parent's possible view of them that they cannot see themselves. I felt their age was driven by the author's need to reunite her high school couple (Chris and Tiffany) through his teenage son. Drop everyone's age seven years, make the son a nephew, and all my issues with this part of the story evaporate. The emotional conflicts were realistic and interesting. Their timing was not. Tiffany and Daniel are both trying to figure out who they are. Both have degrees they don't want to use. While I completely disagreed with Daniel's choice of work I want to focus on Tiffany. About Daniel (certainly the more compelling sibling) I'd say that most 35ish year old men working the back of a kitchen (who are not chefs) have beaten their bodies to the point that they would welcome any alternate opportunity. That Daniel is in possession of funds, education, contacts and support but chooses to take a fairly low level position on impulse mystified me. He is banking on the financial support of a girlfriend he is estranged from while rejecting all paths that lead to his own financial stability. At 25, this is a mistake. At 35 it's running into poverty instead of away from it. Daniel will struggle for the rest of his life where a slight change of course could have given him the work he loves and the ability to enjoy his life while doing it. (I have to stop talking about Daniel. His dominance of a book not about him is turning into his dominance of the review.)

Tiffany has been chasing publishing jobs she doesn't find rewarding. I wanted Tiffany to grow into an appreciation of her own worth but she never does. Tiffany is the over achieving student, she's the impassive faced minority who magically brings the hateful white bigot into line, she's the understanding and self demonizing girlfriend and the overly devoted employee. Even as a rebellious daughter she's just a little too good. When the women of the town want to socialize with her Tiffany wonders why they would want to. Tiffany never wonders why she should want to talk to them. When Chris calls her out on her lack of interest she examines it as a personal flaw. Tiffany spends the entire book wondering what she offers others and ends it the same way. It is always Tiffany that is inadequate and Tiffany that must change. I wanted Tiffany to demand more for herself and standing up to a sick old racist was insufficient. Tiffany suddenly decides her jobs are unsatisfying. Her inability to make friends is her personal flaw and not a facet of her being uncomfortable in her own skin (this was hinted at but not developed). Breadcrumbs of an alternate career path are laid in the story. They are not used. Tiffany appears to give up her professional dreams so she can have the boy, because the boy trumps everything else in her life. She doesn't find a different dream, unearth a deferred dream, or reveal a dream she was afraid to follow. She settles. She's going to be with the boy and figure the rest out later. Again, understandable at 25 but troubling in your 30's.

I think Back to The Good Fortune Diner would be a stronger read without the racism. Or a stronger read with more racism in it. Of course the only Chinese family in a town is going to face bigotry. I've repeatedly lost friends to other states because they wanted their children to grow up as something other than "the Asian kid" in town. Having Tiffany face racism from one man was dealing with it in a token manner. Tiffany stands up to him, he folds. He's a softie underneath anyway. It's true enough in that it could happen, but it feels far too pat. Leave it out. Adding in Daniel's concern that his parents are bigots without really resolving if they are makes the post-racial ending even less satisfying. Daniel's story was too big for this book. Including all of it not only short changed Chris and Tiffany but it ended any chance to resolve the core of their arrested development. Why do their parents constantly fight? How did they both feel about the sudden move from the big city to the small town when they made it? Why did they press their children to get educations if they don't want either of them to use them? How does this dynamic stop influencing their children and start informing them? Chris and his father get their emotional issues resolved, leaving Tiffany as a Magical Asian when I wanted her to be the star. Removing most of Daniel's romance would have given Tiffany more room to earn a happy ending instead of concede her way to one.

All praise to Essex for making me care enough about her world and her prose to devote so much thought to it. I'm absolutely going to read her next book but I have to give a mixed recommendation to this one. Essex suffers from a lack of space over a lack of ideas. She might be better served by a longer word count. Back to the Good Fortune Diner is more enjoyable than my review suggests. It's actually very good, it just isn't amazing. There's a joke in there about the no-win life of the American (or Canadian) born Chinese, but I'm not going to explore it.

*I also wanted to explore Daniel's unconventional choice not to be the dominant financial power in his relationship and his willingness to subvert that gender norm. Really, the wrong couple led the book.

* If you haven't read the discussion at My Extensive Reading I highly suggest it. Among many excellent comments Sunita brings up a point I'd failed to consider.