I DNF'd Carey Baldwin's Hush for reasons that didn't have much to do with the story. One of my absolute hottest buttons is a rewritten work issued without disclosure. When George Lucas takes his fiftieth pass at Star Wars you generally know going in that he's swapped some stuff up. There's an implicit consent involved. While Baldwin has extensively reworked her limited release anthology tale Solomon's Wisdom, there is enough of the prior story left that I went from "This seems weirdly familiar" to "I've read this before". At that point I didn't want to continue. My consent for that experience had not been solicited.
I get that Solomon's Wisdom had a very limited audience. Most readers are not going to hit the same wall. I also understand the choice to market Hush as new material given the additional work put into it. I simply disagree. So, if you've read Solomon's Wisdom and give your consent to checking out Hush, let me know how it goes. (I stopped at the point where her brother-in-law bursts through the door.)
Hush is a romantic suspense dealing lightly with domestic violence. Anna is the girl next door, the quiet librarian with a spine of steel. Charlie is the former soldier turned medic haunted by their shared childhood. A death from the past and a death from the present intertwine, potentially placing Anna and her elder sister in danger. There was a lot I liked about Solomon's Wisdom that I still liked in Hush. While I found both Anna and Charlie to have cases of arrested development, I appreciated their honest communication. Both want to understand how their past created their present. Anna is proactive in her sexuality and her boundaries. Baldwin has a straightforward style that will work for a reader or it won't. I felt the same way about Charlie and Anna halfway through Hush as I did at the end of Solomon's Wisdom. Neither of them became more than pieces on the game board. If they won or lost was less important than turning the page and seeing where they went next.
Hush was supposed to be my second swing at Baldwin's work but I think I'm out. I like her working class settings (even with the advanced degrees) and everyday problems, but she didn't fully capture me with either version of Anna and Charlie's reunion. Baldwin is worth checking out but not an author I'm planning to follow.