First, the title. This thing is Fiona Apple long. I'd Like To Apologize To Every Teacher I Ever Had: My Year As A Rookie Teacher At Northeast High. That's like, 19 words. Let's just call it My Bad and move on. You know, the way one of Danza's students tells him her name and he thinks "Oh, I'll just call her Nick." (But Black Nick cause we already have White Nick.) My Bad is kind of awesome. It sidesteps most of the Rich Man Teaching pitfalls to deliver a straightforward look at what standardized testing has done to American's teachers and students. Of course Danza's students need more resources, better home lives and a more supportive system. But Danza doesn't condescend. When he encourages his kids to grab the opportunities they do have he never comes off as above them. Danza speaks to the students and the reader directly, as an imperfect man in an imperfect world.
In doing so he does the teaching memoir a great service. People who would never read a book about schools (unless it had recently been made into an uplifting Oscar film) will read My Bad because Tony Danza wrote it. His celebrity will illustrate that the grades given your child's school are not an indication of the passion or performances within it. His writing style is open and engaging. While nothing in the book is particularly surprising, the journey is pleasant. Danza admits that he struggled greatly with 20% of the average teacher workload and far more resources. He illustrates how the tasks we are asking our teachers to perform are impossible. As well, he doesn't fall for the One Teacher Who Cares myth that many teaching memoirs do. He recognizes that the teachers care. It is our society that does not.
My Bad is imperfect, like the subject it covers. Danza is a product of his times. While he works to keep race out of the book there are times he slips. Faced with a racist parent he blames "the culture" of the other children. A student on a downward slide demonstrates her unhappiness through the "extreme hairstyles" of an afro or cornrows. His good old days are of a certain tiny slice of American life. These things appear to be based more in ignorance than bias, as Danza otherwise presents himself as an open and rational man. Danza admits his imperfections to the reader, often harsher on himself than we would be. As a result he comes across as sincere and charismatic. Working in the story of a failed reality series (the excuse for his year at Northeast) Danza is desperate not to fail his students. He certainly doesn't fail the reader. My Bad is well worth checking out.
Showing posts with label Celebrity Moments. Show all posts
Showing posts with label Celebrity Moments. Show all posts
24 May, 2012
Review: Yes Chef by Marcus Samuelsson
From the exceptional cover design to the last page, I loved almost everything about Yes, Chef. I loved it's honesty, I loved it's style, I loved the unique life it describes. Holding me back from outright glee were some minor construction problems and Samuelsson himself. He is such a complicated man. I have so much compassion for him yet his honesty also leads me to impatience. There is a myth that one can have everything in life. The thing about everything is that you can't have it all at once. In Samuelsson's case he has had the work ethic, the family support, the drive, the charisma, the intelligence - but he is an absolutely (spoiler alert!) horrible father. Yet his honesty makes him the most charming failure of parenting I've read about in a long time. At the same time he ignores his own child, Samuelsson mentors others. He has a strong desire to bring African Americans into the world of fine dining. He believes in diversifying the upcoming kitchen crews and showcasing Harlem as the convergence of color and culture it has always been. He is a a fascinating person to read about.
With all the honesty Samuelsson eloquently brings to his life story, he has a blind spot. This is a man who feels safest in the kitchen, who has a flight response to emotional damage. Samuelsson has emotions I don't think he's even labeled yet. For all he has overcome, there is much lying in wait for him. What to make of such a conflicted individual? While sponsoring scholarships for relatives in his native Ethiopia and working with the youth of Harlem, Samuelsson also abandons his only child. How will she read this book, as an adult? What will she make of his revelations? Inside is a portrait of a young man who was plucked from impossible odds to land in a safe and loving home. Fortunate enough to find a calling when his first dream died, he applied a single minded focus to achieving it. But this man who is so clear in the dynamics of a kitchen family is adrift in his own. His love for his child is clear, his conflict obvious. But both are presented in terms of himself, and only himself. He didn't want to be "that guy" who fathered an out of wedlock child, so he kept her a professional secret. His career had to come first, but if it had derailed (he claims) then he would have been present in her life. He paid his child support diligently (after his parents insisted) but never called, never wrote. He discussed her life with her mother, but not with her. There were no gifts. Until she was 14, her father was not accessible in any way. When she confronts him, he says he just didn't know how to find the words, how to make the time, what to do. So he didn't. He is proud she has seen him as a success, proud he was able to introduce her to Kanye West, ready to take responsibility now and face her anger because he prides himself on being able to take the heat. The heat is over. His daughter is a young woman. At the end of the book he lists all of the things he has to be thankful for. It's a list both personal and professional. It's not brief. It doesn't contain his child.*
In the first 2/3 of the book Samuelsson's story is linear and focused. He knows who he was and why he made the moves he did. He talks with love and insight about his family and himself. In the last 1/3 of the book Samuelsson founders. His unresolved emotional conflicts are exposed. The book jumps about in time and becomes less concise. While powerful, it is obvious that these are parts of his life that are in progress, still being weighed and cataloged. Unable to ask if his own parents abandoned him, unable to face what abandoning his daughter really meant, Samuelsson leaves a document of explanation for her if she is able to see it. When his birth mother was dying she used the last of her strength to seek medical attention for her children. His father was in parts unknown. A man can be great without being famous. A man can be great without being perfect. Marcus Samuelsson is a great man who has (and will) impact many lives in positive and meaningful ways. Yes, Chef is completely worth reading. I say go ahead and pre-order it.
*I read this book in ARC form. I hope she's added before publication.
With all the honesty Samuelsson eloquently brings to his life story, he has a blind spot. This is a man who feels safest in the kitchen, who has a flight response to emotional damage. Samuelsson has emotions I don't think he's even labeled yet. For all he has overcome, there is much lying in wait for him. What to make of such a conflicted individual? While sponsoring scholarships for relatives in his native Ethiopia and working with the youth of Harlem, Samuelsson also abandons his only child. How will she read this book, as an adult? What will she make of his revelations? Inside is a portrait of a young man who was plucked from impossible odds to land in a safe and loving home. Fortunate enough to find a calling when his first dream died, he applied a single minded focus to achieving it. But this man who is so clear in the dynamics of a kitchen family is adrift in his own. His love for his child is clear, his conflict obvious. But both are presented in terms of himself, and only himself. He didn't want to be "that guy" who fathered an out of wedlock child, so he kept her a professional secret. His career had to come first, but if it had derailed (he claims) then he would have been present in her life. He paid his child support diligently (after his parents insisted) but never called, never wrote. He discussed her life with her mother, but not with her. There were no gifts. Until she was 14, her father was not accessible in any way. When she confronts him, he says he just didn't know how to find the words, how to make the time, what to do. So he didn't. He is proud she has seen him as a success, proud he was able to introduce her to Kanye West, ready to take responsibility now and face her anger because he prides himself on being able to take the heat. The heat is over. His daughter is a young woman. At the end of the book he lists all of the things he has to be thankful for. It's a list both personal and professional. It's not brief. It doesn't contain his child.*
In the first 2/3 of the book Samuelsson's story is linear and focused. He knows who he was and why he made the moves he did. He talks with love and insight about his family and himself. In the last 1/3 of the book Samuelsson founders. His unresolved emotional conflicts are exposed. The book jumps about in time and becomes less concise. While powerful, it is obvious that these are parts of his life that are in progress, still being weighed and cataloged. Unable to ask if his own parents abandoned him, unable to face what abandoning his daughter really meant, Samuelsson leaves a document of explanation for her if she is able to see it. When his birth mother was dying she used the last of her strength to seek medical attention for her children. His father was in parts unknown. A man can be great without being famous. A man can be great without being perfect. Marcus Samuelsson is a great man who has (and will) impact many lives in positive and meaningful ways. Yes, Chef is completely worth reading. I say go ahead and pre-order it.
*I read this book in ARC form. I hope she's added before publication.
13 March, 2012
Review: Bossypants by Tina Fey
Warning: this is not an actual review.
In the event of an actual review, I would bitch about the content with supporting details. I might praise or gush over another aspect, again with supporting details. With a bestseller of this magnitude I'd probably not bother mentioning it at all unless I loved it more than it's mother.
Instead I offer you these facts. I picked Bossypants up in hardcover. It's in softcover now. I still haven't finished it. (We're not talking War & Peace here.) Unlike James Joyce, Fey uses punctuation with reasonable skill. The edition I have is in my native language. There is no reason for Bossypants to languish unfinished but it's content. I just don't care to read another page. I have given it several college tries (whatever that is, I think it involves beer kegs and vomit) yet failed. Parts of Fey's book strike me as classist. Parts of Fey's book struck me as racist. Precious little of it struck me as interesting or amusing. I've always enjoyed Tina Fey. I expected to enjoy Bossypants enough to preorder it. This is a book that one can judge by the cover. I thought the cover was odd, not as amusing as it intended and off putting. For me (and possibly me alone) the contents were the same. I'm giving up and sending it to the bin. If you were considering Bossypants I suggest your local library. Chances are good they've had a few copies donated.
In the event of an actual review, I would bitch about the content with supporting details. I might praise or gush over another aspect, again with supporting details. With a bestseller of this magnitude I'd probably not bother mentioning it at all unless I loved it more than it's mother.
Instead I offer you these facts. I picked Bossypants up in hardcover. It's in softcover now. I still haven't finished it. (We're not talking War & Peace here.) Unlike James Joyce, Fey uses punctuation with reasonable skill. The edition I have is in my native language. There is no reason for Bossypants to languish unfinished but it's content. I just don't care to read another page. I have given it several college tries (whatever that is, I think it involves beer kegs and vomit) yet failed. Parts of Fey's book strike me as classist. Parts of Fey's book struck me as racist. Precious little of it struck me as interesting or amusing. I've always enjoyed Tina Fey. I expected to enjoy Bossypants enough to preorder it. This is a book that one can judge by the cover. I thought the cover was odd, not as amusing as it intended and off putting. For me (and possibly me alone) the contents were the same. I'm giving up and sending it to the bin. If you were considering Bossypants I suggest your local library. Chances are good they've had a few copies donated.
01 February, 2012
Review: Ali in Wonderland by Ali Wentworth
I did not enjoy Ali Wentworth's book. It is entirely possible her material plays better if you have some frame of reference for her as a comedian. When I read Kathy Griffin, I heard her voice in the story. When I read Mindy Kaling I lacked that voice but the book stood up on it's own. For Ali In Wonderland I had no voice to hold up what was ultimately very weak material.
There could have been a great book from the bones of her story, but Wentworth didn't write it. I felt alienated from the author. Unlike Sedaris, where the joke is generally on him and the evisceration of others is done with some kindness, Wentworth's came across as a child of privilege resenting others judging her for that privilege. It was difficult to find a way to commiserate with her. When I would start to get some interest in her life she would throw something out that derailed it again. Getting through the book was such a chore I posted to Twitter every few pages as an encouragement to finish. Perhaps instead of a proper review I will follow the path taken by the book and offer you my loosely connected and highly personalized thoughts, direct from Twitter and chat.
I am not enjoying this upcoming release. Everyone in the memoir but the heroine sucks and it is saturated in unexamined privilege.
Author Washington insider, assures us all the family money gone, then launches into elite life. Own your status.
Opens with castle rented to propose to her, segues into DC life. Currently in prep school where she can do things like fly home at will.
Her life could be a funny and fascinating memoir but her writing style is SO off putting. Hasn't a kind word for anyone, really.
I could see the material being amusing in certain verbal delivery styles. Not coming across in print at all.
Book has a lot of marketing money behind it, expected to be huge. I'm going to get pummeled for hating it. Whatevs. Kiss my Ammy rank g'bye.
Oh hello, Girl Interrupted.
The author of this book just called out 153 lbs as an impossible tipping of the scales, her own mother doesn't recognize her.
Talking about an ex with a clunker, she relates how her mom is worried about safety so sells him her car at token price of 1k.
She and mom lie to him about why, because crazy pride! But hey, worth it for safe boyfriend car!
Author started to win me over, promptly killed it with dismissive remark about girls with less advantages than she. Calls them Escorts.
Her class issues are flying through the whole thing, triggering all of mine. She pisses away choices then judges people without them.
She calls herself middle class while jaunting about the world and dining with world leaders.
She walks off on an internship at Christie's because they had a dress code and expected her to fetch tea. London housing, even.
Author wants it both ways. Does not want to be judged for her silver spoon, yet wants to judge them for their lack of utensils.
This next tidbit... Almost gang raped by Mexican crack heads, go to the Four Seasons for 2 wks of pampering. Tries to tie in that old car would have been safer.
Situational humor requires a heart. Author saves her warmth for herself.
I am not sure why this book is funny. 3 big blurbs on it, but I haven't even smiled.
Omg. 9/11 has hit and the author takes to her bed at a luxury hotel when she has a perfectly good hotel room farther away.
No really, 9/11 just used as an anecdote to demonstrate how skewed her family is.
Halfway through. Second time author has said yes to an unwanted proposal. It's easier.
On page 215 I laughed. Yes, it was because she compared baptism to preparing a baby for roasting, but it was a welcome drop in this desert.
By page 234 I am back to frown faced reading.
The book is done! The review will wait. I might start a new personal blog since last night I killed Jesus. (Didn't mean to.)
And thus we conclude our first real time review of a book. I appreciated the opportunity to read Ali In Wonderland, it was an advance copy and I always regret disliking a gift. Ali Wentworth is probably perfectly lovely in real life, charming and amusing on a chat show. I have no doubt she is a better person than she came across to me in this book. If I had to guess, I would predict Ali In Wonderland will hit big and satisfy a core market. The crossover appeal is limited. On to the next.
There could have been a great book from the bones of her story, but Wentworth didn't write it. I felt alienated from the author. Unlike Sedaris, where the joke is generally on him and the evisceration of others is done with some kindness, Wentworth's came across as a child of privilege resenting others judging her for that privilege. It was difficult to find a way to commiserate with her. When I would start to get some interest in her life she would throw something out that derailed it again. Getting through the book was such a chore I posted to Twitter every few pages as an encouragement to finish. Perhaps instead of a proper review I will follow the path taken by the book and offer you my loosely connected and highly personalized thoughts, direct from Twitter and chat.
I am not enjoying this upcoming release. Everyone in the memoir but the heroine sucks and it is saturated in unexamined privilege.
Author Washington insider, assures us all the family money gone, then launches into elite life. Own your status.
Opens with castle rented to propose to her, segues into DC life. Currently in prep school where she can do things like fly home at will.
Her life could be a funny and fascinating memoir but her writing style is SO off putting. Hasn't a kind word for anyone, really.
I could see the material being amusing in certain verbal delivery styles. Not coming across in print at all.
Book has a lot of marketing money behind it, expected to be huge. I'm going to get pummeled for hating it. Whatevs. Kiss my Ammy rank g'bye.
Oh hello, Girl Interrupted.
The author of this book just called out 153 lbs as an impossible tipping of the scales, her own mother doesn't recognize her.
Talking about an ex with a clunker, she relates how her mom is worried about safety so sells him her car at token price of 1k.
She and mom lie to him about why, because crazy pride! But hey, worth it for safe boyfriend car!
Not for boyfriend safety, mind you, but for hers. We should always lie to the poorer classes.
Author started to win me over, promptly killed it with dismissive remark about girls with less advantages than she. Calls them Escorts.
Her class issues are flying through the whole thing, triggering all of mine. She pisses away choices then judges people without them.
She calls herself middle class while jaunting about the world and dining with world leaders.
She walks off on an internship at Christie's because they had a dress code and expected her to fetch tea. London housing, even.
Author wants it both ways. Does not want to be judged for her silver spoon, yet wants to judge them for their lack of utensils.
This next tidbit... Almost gang raped by Mexican crack heads, go to the Four Seasons for 2 wks of pampering. Tries to tie in that old car would have been safer.
Situational humor requires a heart. Author saves her warmth for herself.
I am not sure why this book is funny. 3 big blurbs on it, but I haven't even smiled.
Omg. 9/11 has hit and the author takes to her bed at a luxury hotel when she has a perfectly good hotel room farther away.
No really, 9/11 just used as an anecdote to demonstrate how skewed her family is.
Halfway through. Second time author has said yes to an unwanted proposal. It's easier.
On page 215 I laughed. Yes, it was because she compared baptism to preparing a baby for roasting, but it was a welcome drop in this desert.
By page 234 I am back to frown faced reading.
The book is done! The review will wait. I might start a new personal blog since last night I killed Jesus. (Didn't mean to.)
And thus we conclude our first real time review of a book. I appreciated the opportunity to read Ali In Wonderland, it was an advance copy and I always regret disliking a gift. Ali Wentworth is probably perfectly lovely in real life, charming and amusing on a chat show. I have no doubt she is a better person than she came across to me in this book. If I had to guess, I would predict Ali In Wonderland will hit big and satisfy a core market. The crossover appeal is limited. On to the next.
01 January, 2012
Review: The Autobiography by Elisabeth Sladen
This is a far better book than it needed to be. Isn't that the hallmark of Elisabeth Sladen's career? Without her careful attention, would Sarah Jane Smith have been the icon she became? Of course, Sladen was far more than just Sarah Jane Smith. She was a wife, a mother, a theater actress and a woman with a serious work ethic. In that order.
Sladen preserves her private life in what is largely a career memoir, but when she does dip into her personal situation it is to illustrate a career moment. Given a choice between her family or herself, Sladen chooses her family. It answers the question of why she wasn't a larger star in her post Doctor Who years and it also answers how she and her husband were able to manage a two actor marriage. Elisabeth Sladen, for all her career regrets, lived a life that placed the personal above the professional. I respect her even more for putting her humanity above her ambition.
The Autobiography is so clearly in Sladen's voice that the fan in me felt the loss all over again when I closed the book. Even when telling of her frustrations and personal conflicts Sladen looked for a brighter side of things. The joke is always on her, the buck always stops at her desk. She is not one to ignore professional conflict, neither is she one to belittle the person with whom she conflicted. Sladen follows every bitter memory with a tasty one. The result is the reader feeling as though they have spent an afternoon with her, hearing her actor tales firsthand. Sladen reveals that she, like many of us, thought Eccleston ended his Doctor Who run too soon. Perhaps he was the wiser man, as one who has watched several leave the role Sladen knew that the drop from star to mortal is stunning. The show is the star and the actors merely participants.
I don't know how a reader who is not a fan of Doctor Who would respond to this book. Although Sladen discusses her early days and her post Who days it is largely a story of her days as Sarah Jane Smith. Sladen understands where her core fans reside and she meets them there. From her frustration with the BBC's failure to properly monetize in America to her appreciation for Whovian loyalty, Sladen knows the audience for this book. When she began, she had no idea she was ill. I wonder if she would have changed it? Would the sharp feelings be further muted? Perhaps it is for the best that Sladen set the manuscript in a drawer, forgotten, and let her family decide to bring it to market. As the book ends and the afterword begins, Elisabeth Sladen (like Sarah Jane Smith) is looking forward to her next adventure. Neither of them will be forgotten.
Sladen preserves her private life in what is largely a career memoir, but when she does dip into her personal situation it is to illustrate a career moment. Given a choice between her family or herself, Sladen chooses her family. It answers the question of why she wasn't a larger star in her post Doctor Who years and it also answers how she and her husband were able to manage a two actor marriage. Elisabeth Sladen, for all her career regrets, lived a life that placed the personal above the professional. I respect her even more for putting her humanity above her ambition.
The Autobiography is so clearly in Sladen's voice that the fan in me felt the loss all over again when I closed the book. Even when telling of her frustrations and personal conflicts Sladen looked for a brighter side of things. The joke is always on her, the buck always stops at her desk. She is not one to ignore professional conflict, neither is she one to belittle the person with whom she conflicted. Sladen follows every bitter memory with a tasty one. The result is the reader feeling as though they have spent an afternoon with her, hearing her actor tales firsthand. Sladen reveals that she, like many of us, thought Eccleston ended his Doctor Who run too soon. Perhaps he was the wiser man, as one who has watched several leave the role Sladen knew that the drop from star to mortal is stunning. The show is the star and the actors merely participants.
I don't know how a reader who is not a fan of Doctor Who would respond to this book. Although Sladen discusses her early days and her post Who days it is largely a story of her days as Sarah Jane Smith. Sladen understands where her core fans reside and she meets them there. From her frustration with the BBC's failure to properly monetize in America to her appreciation for Whovian loyalty, Sladen knows the audience for this book. When she began, she had no idea she was ill. I wonder if she would have changed it? Would the sharp feelings be further muted? Perhaps it is for the best that Sladen set the manuscript in a drawer, forgotten, and let her family decide to bring it to market. As the book ends and the afterword begins, Elisabeth Sladen (like Sarah Jane Smith) is looking forward to her next adventure. Neither of them will be forgotten.
02 December, 2011
Review: Is Everyone Hanging Out Without Me? by Mindy Kaling
This book was sold by it's cover. I had no idea who Mindy Kaling was. I don't watch her show. (I'd heard conversation about Matt & Ben but assumed it was a Tony & Tina's Wedding type thing.) This is a book selling cover. Love the tones, love the pose, love the title, love the composition. (Great design, cover dude. Take a victory jog.)
I found I loved this book. Mindy Kaling is walking a comedy tightrope here - self deprecating without being self pitying, self aggrandizing without coming across as overbold. She's trying too hard in all the right ways. There's a bit of the charmed life to Mindy, but she knows it. There's a lot of the serious work ethic to Mindy and she knows that too, even as she downplays it. A slacker doesn't finish and produce a two woman play much less a serious college degree.
Is Everyone Hanging Out Without Me? is part memoir, part humor, part celebrity vanity project but it is completely enjoyable. This is up there with David Niven's Hollywood books. She's not burning any bridges or settling any scores, she's just telling you a few amusing stories over drinks in a stylish lounge. Kaling's stories are so compelling that one drove me to Google. After reading about a People photo shoot (in a land where a size 8 is anything but very slender) I had to see the photo that resulted. If I liked the book with no investment in her career, then this would be a home run gift for fans of The Office: American Edition. (I seem to be reading quite a few Crown Archtype books lately. Nice job, marketing and acquisition. Get your sneakers out too.)
I found I loved this book. Mindy Kaling is walking a comedy tightrope here - self deprecating without being self pitying, self aggrandizing without coming across as overbold. She's trying too hard in all the right ways. There's a bit of the charmed life to Mindy, but she knows it. There's a lot of the serious work ethic to Mindy and she knows that too, even as she downplays it. A slacker doesn't finish and produce a two woman play much less a serious college degree.
Is Everyone Hanging Out Without Me? is part memoir, part humor, part celebrity vanity project but it is completely enjoyable. This is up there with David Niven's Hollywood books. She's not burning any bridges or settling any scores, she's just telling you a few amusing stories over drinks in a stylish lounge. Kaling's stories are so compelling that one drove me to Google. After reading about a People photo shoot (in a land where a size 8 is anything but very slender) I had to see the photo that resulted. If I liked the book with no investment in her career, then this would be a home run gift for fans of The Office: American Edition. (I seem to be reading quite a few Crown Archtype books lately. Nice job, marketing and acquisition. Get your sneakers out too.)
Subscribe to:
Posts (Atom)





