Showing posts with label a. Show all posts
Showing posts with label a. Show all posts

21 March, 2013

Review: Finding Florida by T.D. Allman

Spoiler Alert: I'm a Floridian.

I picked up an advance copy of Finding Florida planning to hate read it. Instead I fell completely in love. I fell so in love that I've been struggling with how to properly convey that love to you without imitating Gollum and the Ring. If I ruled the world, people would be unable to have an opinion on Florida without having read Finding Florida. We'd pass it out with our free samples of orange juice, take copies door to door with the Yellow Pages. Pundits speaking in election years would have to first read a sample passage from the book before continuing to weigh in on whatever issue of the day Florida was allegedly causing. And then, as a nation, we'd take a good long look at what we've done.

 Here's the thing. Everyone writes about Florida. Everyone knows what Florida is, be it a punchline or a destination. If you have enough cash, Florida is Mar-a-Lago. If you don't, Florida is Trayvon Martin. If you want to prove a point (any point, really) you can use Florida as the example and people will assume you're right. No one ever tells the truth in or about Florida. This is a place where reality twists to the will of the speaker and that frustrates the hell out of the natives. Especially if the speaker is from the New York corridor. T.D. Allman tells the truth. He actually found Florida and wrapped it in a book for you. This is a clear eyed, race neutral history of the Sunshine State. Therefore, Finding Florida may strike some as an incendiary book with an agenda. I would argue that it is impossible to really understand Florida and not be angry. Take our snakes. The milk snake is harmless. It's identical cousin the coral snake will kill you. Schoolchildren are taught rhymes to tell the difference. (My school used "Red on black, friend of Jack. Red on yellow kills a fellow." They also dumped a bag of snakes on the table to make sure we remembered it.)  Florida is a coral snake repeatedly packaged as a milk snake. Don't blame T.D. Allman for getting the facts in proper order.

Florida was never purchased. It was not ceded by Spain. Florida was conquered by repeat covert military actions on tenuous premises. Florida was home to interracial towns which were repeatedly cleared for white settlement. Massacres were common and frequent. Free blacks were enslaved on the pretext that their ancestors had been slaves. Florida is America's spoil of a long and bloody war based on race and profit. The fight for Florida was a fight to expand slavery. A mixed community could not be tolerated as a border to the slaveholding south.

"Starting when he was still Billy Powell, Osceola drew his wives and friends from all racial groups. People of Indian, black—and white—descent fought under his command in every battle. They kept fighting even when betraying the blacks among them would have saved them much suffering and, in many cases, saved their lives. Osceola’s brutal mistreatment, as Congressman Giddings put it, demonstrated “the intimate relation which this war bore to slavery.” General Jesup was even more blunt about it. It was, he pointed out, a war to protect and expand slavery, “a Negro and not an Indian war.” Finding Florida, Page 186

T.D. Allman captures the essential problem of Florida. Billy Powell becomes Osceola. Our history, as it actually happens, is continually rewritten into a narrative that serves forces outside our borders. Without knowing who we really were we cannot understand who we are. Finding Florida is about the framework of political corruption that began our state and still rules it today. It is about the unending ability of people who have failed elsewhere to reinvent themselves, rise to the highest levels, and fail again. 

"When people are unwilling or unable to come to terms with reality, a politics based on unreality becomes necessary to sustain what the Florida scholar Eugene Lyon describes as the “utopia of
mutual hopes.” - Finding Florida, Page 454

"Only in Flori-duh!" is something a Floridian hears often. Failed by our schools, failed by our government, we are a people with a mutual hope that consistently eludes us. We want to be the state we know in our bones we can be. The problem is that too many of us want too many versions of that state. A thousand versions imagined in our own image consistently at war with each other, consistently in denial of our shared history. To the other 49 states we are inexplicable, bewildering and backwards. To ourselves, we are a scapegoat for national failures. Finding Florida proves we're both right.

28 February, 2013

Social Media & Review Crews Q&A With Meoskop

*Over at SBTB Sarah is running a Q&A with Susan Mallery about her newest reader initiative. If you haven't yet read it, I would.

With the rapid changes in publishing authors have been pushed into being their own publicity department. With so many voices willing to tell authors what to do (and what not to do) it seemed like a great opportunity for us to connect with an expert on author behavior. Meoskop has been a blogger and reviewer under various names since the mid 1980's, when net access was primarily through phone numbers found in the classified ads. Back in the day we'd phone a stranger's basement to talk books.

Q: So Meoskop. (Can I call you Meoskop? Going 3rd person seems like something I should ask permission for.) You get a number of books for free. What's wrong with Susan Mallery offering books to her readers?

A: I suppose I can call myself anything I like, so yes, feel free. If it's good enough for Michael Douglas... Wait, books. Let's get back to that.  Nothing is wrong with Susan Mallery giving away any number of books she chooses. The free book is a long standing promotion. In fact, the free book is one of the best tools an author has to self promote.

Q: Then what's the issue? If authors have been giving books away since books began and many reviewers frequently receive promotional copies, why is Mallery's Review Crew controversial? Is this about gatekeeping reviews?

A: Not at all. In fact, a novice reviewer can be a consumer's best friend. The conflict lies in the author's natural (and necessary) desire to promote being at war with the consumer's natural (and necessary) desire to find reviews they can trust. The issue here is the winnowing of the review pool. Mallery says that she has thousands of readers wanting a chance at reviewing her books in advance. Where I believe she's raising the eyebrows is the consolidation of her reviewers...

Q: I have to interrupt you. If I'm not mistaken you didn't pay for a Courtney Milan book in all of 2012. In point of fact, you proclaimed yourself her number one fan girl in 2011. How can you hope to have any credibility at all on this issue?

A: Excuse me. I was assured there would be no Courtney Milan questions.

Q: You're evading the point.

A: Obviously, I am untrustworthy. This question proves that. It is that fact upon which my credibility hinges. An author or publisher who provides a free book to me has no assurance of a positive review. In fact, when it became clear to both of us that I would likely be hate reading her new release, Avon declined to provide me with an advance copy of Lorraine Heath's upcoming work. I have a track record of refusing to review authors who expect favorable reviews of their work. Or any review. I frequently decline to review ARCs that have been sent to me. Sometimes they're boring.

Q: Mallery obviously realizes not all reviews will be favorable. While she demands a review within two weeks to remain in her program, she acknowledges that not all reviews will be five star!

A: It's the tiered aspect. If Mallery ran a lottery for each release that did not have the tiered aspect this wouldn't have warranted a second look. By offering bars for her reader reviewers to hit, she introduces the elements of bias. She wants something for her time and money that is in conflict with general consumer interest. If you want the next book, review it in two weeks and you're golden. Look at all the thousands of people that want to be you. You're in the Review Crew. You're an insider. I love 5 stars (who doesn't?) but you say what you really think. On the one hand, she's saying (mostly) all the right things. On the other she is justifiably building a network of reliable superfans who can commit to deadline. It's like walking up to the people camped out for a new Chik-Fil-A in a Chik-Fil-A uniform while carrying a video camera and asking them if the food is any good. They're going to say yes. They wouldn't be there if pickle brine made their nose hairs curl.

Q: Aren't all review and promotion schemes in conflict with consumer interest?

A: Pretty much. The tightrope for the author is to conduct their promotion in a way that enhances their brand. Libby Bray puts on a cow suit, I pre-order her book. Maybe I hate it (ok, I did) but I bought it. I hit a review site I know is flawed (that would be any of them) and I see 200 happy reviews all posted in a two week window? That one star review complaining that the author never calls her mother just became the ONLY review I read. Mallery is gambling (probably correctly) that more readers will see a stack of glowing reviews and slam the preorder button than will call shenanigans. Shenanigans rarely answers the phone, anyway. It's probably going to work. But undermining already flawed review systems undermines all authors. A reader who doesn't trust anything she reads has reduced discoverability.

Q: Discvoerabi - whatever you said. That's like, making my head hurt. You're not industry, are you? That industry stuff is a snooze. I just want to find a good book and buy it. How does Susan Mallery stop me from doing that? I don't see the issue.

A: Maybe she doesn't. Maybe the future is one where buyers expect hundreds of largely positive reviews to quickly appear on her books. What does that buyer do next? If the buyer disagrees with those reviews or knows about the Review Crew does the buyer stop trusting all positive reviews? Are you going to trust positive reviews on other authors? Will the three star review become the new rave review? Look! This book doesn't have 5 star reviews - it must be good! Will the one star review be the only one given credibility? In a sea of solicited 5 star reviews how do you apply comparative meaning?

Q: Was that a shot at Klausner? That got old in the 90's.

A: Not at all. I do me and I let other reviewers do them. My point is that an author who plans on having the same name (or hundreds of names) attached to her book reviews needs to carefully consider issues of credibility. Consumers already suspect reviews and review sites.

Q: Are we back to Courtney Milan?

A: You really need to get over this Courtney Milan thing. You're starting to embarrass me.

24 October, 2012

Things You Should Listen To: Wussy



Alright, so that's not a Wussy song. Here's the problem. Chuck Cleaver is my Barry White. He writes the most romantic damn songs you've ever heard then sings the hell out of them. (This weekend I saw Wussy open for the Afghan Whigs and sharing air space with Chuck Cleaver was exactly as I thought it would be.) In my personal reality, Chuck Cleaver is one of the biggest rock stars in the world. If I had internet startup money, it's Chuck Cleaver who'd play my events. But the Ass Ponys broke up. And then there was Wussy. I have struggled with Wussy. I love them on paper but it's been a dysfunctional musical relationship for me. 

I love Lisa Walker's voice. Lisa Walker writes great music, this is in no way me not appreciating Lisa Walker. I don't look at Mark Messerly and think Randy Cheek should be standing there. I'm ok with musical transitions. No one wants to work in the same office for their entire life. Except. When Chuck Cleaver is singing, I want to hear Chuck Cleaver. I feel the same way about Lisa Walker. If Wussy went all Outkast and started releasing two disc albums where they each do their thing, I'd buy the hell out of that. Here is a Wussy song that is mostly Lisa Walker singing. See? Mad talented. 



Where I have issues with the vocal mix on the albums, the band on stage is sublime. Everyone should see Wussy as many times as they possibly can.  This is the band your kids will be asking you about when you're old. "You went to WHAT show? In a world with Wussy???? Lame."  Don't be lame.